Topics: Doctor Who: The Lie of the Land, series 10 episode 8: a.

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Looks like George R.R. Martin can take a breather. An engineer set up a neural network using all of the books in the A Song of Ice and Fire series to write part of the next installment, The Winds of Winter. It may not make a lot of sense—or any sense, really—but hell, neither did that whole Sansa and Arya murder fake-out.

Full-stack software engineer Zack Thoutt created a recurrent neural network to write The Winds of Winter , based on words, phrases, and characters from the rest of the series. Thoutt told Motherboard it’s a “long short-term memory” network, meaning it remembers information stored in the text, like character deaths. It’s not exactly accurate, though, as according to the new book Ned and Lord Mormont have returned from the grave.

In order to accomplish a feat that not even Martin himself has been able to dachieve yet, Thoutt uploaded the first five books in the series into the network (almost 5,400 pages worth) so it could spew out the latest twists, turns, and deaths in the iconic series. Here’s a small sample from Chapter One, narrated by Tyrion:

B ig bad Bill shot the Doctor – but thankfully she was firing blanks. Yes, The Monks Trilogy concluded with post-apocalyptic adventure The Lie of the Land. 

There have been online rumours and fan rumblings that the scary-eyebrowed Twelfth Doctor (Peter Capaldi) might pull the rug out from under us by regenerating before the Christmas special – but the ever-wily Time Lord fooled us all. 

Cast adrift on a prison ship, our newly-sighted hero seemed to have joined the meddling Monks and be doing their dirty work by fronting Big Brother-esque propaganda videos, brainwashing the planet’s population into believing that the red-robed zombies had been babysitting us throughout human history – a neat chance for the BBC to raid the archives, make some Zelig-like insertions and thrill fans with glimpses of the Daleks, Cybermen and Weeping Angels (aptly, blink and you’d miss them).

I strongly recommend you InuYasha if you re onto some romance, action and fantasy. Also, Ranma 1/2 is a good choice, since InuYasha s creator is the same as Ranma 1/2 s. If you re onto some mystery and comedy, Detective Conan is the one for you. If you re onto bloody stuff with a psycho woman, Mirai Nikki is the one for you. If you like Twisted and Confusing but good Anime, I recommend you "Higurashi No Naku Koro Ni" and "Umineko No Naku Koro Ni". If you re onto some typical fighting anime for teens, I recommend you One Piece and Naruto. If you re onto deep thinking and Anime where the characters make hard moves and think a lot, Death Note is the one for you. If you re onto Bloody, Europe themed, awesome and epic, I recommend you Shingeki No Kyojin. If you re onto an Incredible short anime, I recommend you "BTOOOM!", which is kinda bloody. If you re onto short, silent and mysterious anime, I recommend you "Another" If you re onto some weird and awesome fights with superpowers, Dragon Ball is the one for you. If you re onto epic Magic-fighting anime, Fairy Tail is the one for you. If you re onto parody, Gintama is the one for you. If you re onto Otaku Comedy, Lucky Star is the one for you. If you re onto paranormal and short anime, Ghost Hunt is the one for you.

Star Trek is a 2009 American science fiction adventure film directed by J. J. Abrams and written by Roberto Orci and Alex Kurtzman. It is the eleventh film in the.

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Science fiction is difficult to define, as it includes a wide range of subgenres and themes. Author and editor Damon Knight summed up the difficulty, saying "science fiction is what we point to when we say it", [3] a definition echoed by author Mark C. Glassy, who argues that the definition of science fiction is like the definition of pornography: you do not know what it is, but you know it when you see it. [4]

Hugo Gernsback , who suggested the term "scientifiction" for his Amazing Stories magazine, [5] described his vision of the genre: "By 'scientifiction' I mean the Jules Verne , H. G. Wells and Edgar Allan Poe type of story—a charming romance intermingled with scientific fact and prophetic vision." [6]

In 1970 or 1971, William Atheling Jr. (James Blish) wrote about the English term "science fiction": "Wells used the term originally to cover what we would today call ‘hard’ science fiction, in which a conscientious attempt to be faithful to already known facts (as of the date of writing) was the substrate on which the story was to be built, and if the story was also to contain a miracle, it ought at least not to contain a whole arsenal of them." [7]